TOP 100 THINGS TO DO FOR YOUR LOVEONES

1. Be yourself with your sweetheart
2. Be honest with your sweetheart
3. Wear the same kind of sweatshirts.
4. Have faith that the two of you will always be together.
5. Mention to your sweetheart how great he looks.
6. Tell your sweetheart a joke.

7. Call in sick together.
8. Take a helicopter ride with your sweetheart.
9. Light fireworks together.
10. Use the numbers of your sweetheart's birthday as your lottery numbers.
11. Get your wedding bands cleaned together.
12. Buy your sweetheart a bottle of her favorite perfume.
13. Offer to be the designated driver when you and your sweetheart go out.
14. Buy your sweetheart a stuffed animal.
15. Go on a hayride together.
16. Go fishing together.
17. Save up enough money for you and your sweetheart to go to Disney World.
18. Give each other a back rub.
19. Buy your sweetheart a magazine.
20. Openly recognize the fact that your sweetheart is intelligent.
21. Sunbathe together.
22. Tell your sweetheart you'd marry him all over again.
23. President Harry Truman mailed his wife a letter every night he spent away; do the same for your sweetheart.
24. Pinch your sweetheart's butt.
25. Watch planes take off and land together.
26. Pray together.
27. Tell your sweetheart about a dream you had.
28. Have flowers sent to your sweetheart at work.
29. Celebrate your anniversary monthly.
30. Play a board game together.
31. Make sure your sweetheart's car is well maintained.
32. Look through an antique store together.
33. Buy your sweetheart a king-sized pillow.
34. Write to your sweetheart's favorite celebrity for an autographed photo.
35. Play frisbee together.
36. Smile at your sweetheart.
37. Look in old newspapers to find out what was happening on the day the two of you met.
38. Buy your sweetheart a dress for a future date.
39. Go snowmobiling together.
40. Give your sweetheart a foot massage.
41. Draw a picture for your sweetheart
42. Visit your sweetheart's parents.
43. Carve your names in a tree.
44. Tell your sweetheart how lucky you are that she is with you.
45. Ask your sweetheart how her friends are doing.
46. Drop your sweetheart off at a store's entrance and park the car by yourself.
47. Fill a videotape with episodes of your sweetheart's favorite TV show.
48. Go out for dessert together.
49. Have a picture taken with your sweetheart in a photo booth.
50. Give credit to your sweetheart for supporting you when you achieve something.
51. Wear matching outfits.
52. Write your sweetheart a poem.
53. Leave a rose on your sweetheart's pillow.
54. Fax a note to your sweetheart at work.
55. Paint watercolors together.
56. Take a drive through the country together.
57. Tell your sweetheart that he is better-looking than the day the two of you met.
58. Surprise your sweetheart with a candlelight dinner.
59. Tell your sweetheart that meeting him was
the main event of your life.
60. Keep your sweetheart's picture in your wallet.
61. Enter a drawing for a prize together.
62. Go bird-watching together.
63. Take part in your sweetheart's aspirations.
64. Do some of your sweetheart's usual chores.
65. Offer to help your sweetheart study.
66. Watch the sunset or sunrise together.
67. Say ''I love you'' to your sweetheart at least once a day.
68. Play a video game together.
69. Tell your sweethearts she has a perfect face.
70. Make your sweetheart a big lunch.
71. Have a good sense of humor when your sweetheart teases you.
72. Make a home movie together.
73. Hold hands with your sweetheart.
74. Stay up all night watching a movie trilogy together.
75. Follow your sweetheart's family traditions.
76. Go Christmas shopping together.
77. Buy your sweetheart a treat when you pay for gasoline.
78. Take your sweetheart to his favorite restaurant
79. Tell your sweetheart that she means more to you than anything in the world.
80. Touch your sweetheart as often as possible.
81. Go golfing together.
82. Go out for pizza together.
83. Look at stars together.
84. Throw a boomerang together.
85. Secretly work a second job and use the extra money to surprise your sweetheart with a special gift.
86. Have a professional photo taken of you with your sweetheart.
87. Draw up coupons redeemable for whatever your sweetheart likes.
88. Go out for doughnuts together.
89. Put in a front porch swing.
90. Go white-water rafting together.
91. Buy your sweetheart a favorite compact disc.
92. Climb a mountain together.
93. Go horseback riding together.
94. Make a list of baby names together.
95. Wear the brand of cologne your sweetheart likes.
96. Build each other a snowman.
97. Plan out quality time for you and your sweetheart.
98. Take a road trip together.
99. Be with your sweetheart when she gives birth.
100. Volunteer for a charity together.


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COPING WITH HEARTBREAK

Some breakups are not forever, not even till next Tuesday. Some of them are just negotiating points, ways of dramatizing a fight, stations in the dance of courtship, temporary setbacks in the process of learning
someone else and accepting the ways in which they change your world.

Some breakups are just a way of generating a round of make-up sex.

But in this chapter I am talking about breakups that feel more final, more definitive—and more tragic.
Where it looks like it’s gonna stick.

Situations where the person who ended it seems to have given the matter sober consideration and has
declared in a measured way that it’s over.

And where the result on the other person’s side is serious pain.

When somebody breaks your heart:

• Stay away from him. Don’t reopen the wound. Don’t invite him to be the good guy while also being the bad guy. Don’t turn for comfort to the person who broke up with you. Don’t even turn to him for help, unless you absolutely have to.
• Meditate on the fact that this loss is primarily about you, not about him, as we saw in Chapter 2. Your pain isn’t about your concern for him. Get perspective from that.
• If you are sad, enjoy the sadness. Realize that sadness is actually a valuable human state, a valid place. Read some sad poems, listen to some sad love songs. Own it, let yourself feel it, don’t try to pretend you’re not hurting.
• Find a friend you can talk to about it, someone you can be honest and vent with; or call a counseling line and talk to someone.
Don’t let this be a secret, private hole to crawl into.
• Again, don’t go it alone. Once you feel a bit better, seek out good friends, make new ones if you have to, draw on whatever spiritual and emotional resources you have; get involved in the lives of others and do something for them. All this will shore up your self-esteem and put your own life in perspective.
• When somebody breaks up with you, it’s actually their way of telling you that they’re not the right person for you. The fact that they left you—they lost interest and didn’t want to hang on to you—means they weren’t for you. They have given you valuable information that could have taken years to discover. Don’t shoot the messenger.
• If there was mistreatment involved, then you’re definitely better off.
• If the relationship itself had become miserable, then the breakup is a mercy. There were probably advance signs that all was not well. So realize that if those clues existed, then this may not have been such a miscarriage of justice after all. If he hadn’t done the deed, you might have been forced to do it down the line. Maybe you were already thinking of ending it . . . if so, don’t worry too much that he beat you to the punch— the outcome would have been the same.

Instead, be amused by the following lines, written by a talented poet I know. In it a woman imagines time stopping just before her boyfriend can break up with her.

If time stood still when you break my heart
I could stop and think before you start
I could laugh and say, “Now I’ve got to go,
This love of yours makes me sink too low.”
If time stood still, I could dance around,
Kick some dirt and do the town,
And then I’d see on the way back home
That it’s time for you to be left alone


And now if you’ll indulge me in an English 101 moment, we’ll get a payoff that helps lift the ignominy of being the one who was left. The speaker in this poem is saying, in a wonderfully vivid way, that she who is about to be left has just as much right to break it off as her jilting partner has. He just gets there first; he’s quicker on the draw. But if time were to stop at the split second before he rejects her, and she knew what was coming, she would be able to clearly see that he is bad news in her life, that he brings her down, and that she should leave him.

If time stood still—for him. The speaker gleefully imagines that her boyfriend is frozen in time—parked in place—while she is launched into a happy celebration of her emancipation from the one who has in fact kept her from being free. She dances, does the town, kicks up her heels and rollicks. Then, on her way back
to the place they share, she sees clearly that the boyfriend is the one who needs to be left.

So realize that his leaving you was just a quirk of time, a trick of sequence designed to make you feel like the victim. But really it could have been the other way.
• You may feel anger, a desire for revenge, a desire not to let the other person get away with it. That’s not your heart, that’s your ego talking, and we’ll deal with it a little later. For now, resist the temptation to let him know how you’re feeling and what he has done. If that’s a demand for justice, it’s misplaced. The problem
is, you won’t get justice from him, and you will keep the wound open and maybe cause more strife.
• Use your love for the person as a way of accepting what has happened.
Remind yourself that if you really love him, then you want him to get what he wants. Use the unselfish part of your feelings as a balm for the other part.
• Don’t force the other person to tell you why. You can figure it out for yourself (we’ll discuss how later), and your own answers will help you more.
• Don’t threaten the other person.
• Make a clean break. Get gone. He will have to deal with a world that doesn’t have you in it, that he is responsible for. And (if this matters) that is the only way he will ever “get” the enormity of what he has done. Then he may come crawling back. Even if you are tempted to reconcile—especially if you are tempted—don’t make it easy.
• Don’t pick up the phone when he calls. Don’t do it. The time to talk was before he broke up. If he had asked to talk about things back then, without threatening to leave, that would have been fine.
• If he makes a concerted appeal to come back to you, don’t say yes unless:
∙∙ he explains why he left, in a way that you believe, and then explains why those reasons don’t apply anymore,
∙∙ you’ve thought over the whole thing and learned the lessons of the relationship as I’ll discuss later, and you still think he’s the right guy and you want to pursue it, and
∙∙ he wants to come all the way back. (If he wants to be just friends, wish him well and show him the door. Tell him you’ll consider his idea in a year and then close the door behind him.)




If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;) 
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THE SOUND OF A BROKEN HEART


The heart is the engine of human life, the organ that says, “Yes, I’m going to keep on keeping on, keep on beating as long as I can.” Its motto is, “Life is worth living, no matter how tough it gets.” Never say die. We speak of someone “having heart” when they fight on through impossible conditions to reach a goal, especially when that goal involves someone else’s welfare.

A broken heart is called that because it feels like a critical blow to this organ. We actually feel an aching in our chest and this last bastion of the will to live feels like it’s been lanced. Sadness, pain, and loneliness well up from that fractured center and engulf us. What event most typically causes all this? The loss of someone
we love.



“Loss” meaning they are taken away from us. The simplest and most final way for this to happen is when death takes them. Someone loses a child, a parent, a spouse, or a best friend. They’re gone from the earth and the survivor is left here without them; that can be a lot to bear. So we hear about one aging spouse who passes away, and not too long after, the other one dies of a broken heart. Tragic as it is, this outcome isn’t hard to understand.

And then there’s a different kind of broken heart, where the person you lose goes right on living, and it is their choice that takes them away from you.

That’s the romantic variety, and to the pain of loss it adds the pain of rejection, and the madness-inducing
feature that the one you’ve lost can still be seen, roaming the earth and maybe in the company of someone else. They’re gone, and yet they’re not gone.

This kind of broken heart is a little less straightforward. For it harbors a complication: when you were left, the one you love got what they wanted. But that doesn’t mean it’s less painful. A million sad love songs aren’t wrong.

No, love is still love when its complaint is not against death, but against the very person who is the object of that love.

To understand that better, let’s take a closer listen to this kind of plight. What does a broken heart say, in the tangled realm of romance?

The Words of a Broken Heart
I can’t believe you’ve left me, you’ve spurned me
I can’t live without you (I won’t live without you . . .)
Please take me back
I love you so much, you have to love me
My heart is aching, I can’t breathe, I can’t walk, the sadness is crushing me
I am so alone
Life can’t be this cruel and unfair
See my misery and make things right
You are all that matters, you are beautiful, you are the one
I am nothing without you
Only you can make me happy
And the song goes on.

The pain of lost love is a terrible thing; it’s devastating and it can have lasting consequences. But if you look at the lyric, is there a whole lot in it that concerns the well-being of the other person? Not really. It seems to be all about the “me”, not the “you”. The you may in fact be doing alright, may not be suffering much, but that isn’t the me’s concern here.


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WHAT ARE THE ETHICS OF BREAKUPS

It’s never the right moment to break up. It’s an awful thing to say, but once you’ve decided to break up with
your partner, the apparently minor issue of timing can become a huge obstacle. Something always seems to come up, just when you’re finally ready to make your move.

Let’s face it, it’s hard for most of us to play the bad guy; we would almost rather provoke the other person into doing the dirty deed. But if you have to be the perp, you don’t want to compound the felony by hitting your partner when they’re down.

Or when they’re happy . . .


So your announcement gets postponed, sometimes for months or even years.

Reasons why you can’t break it off this week:
• His favorite aunt had a heart attack and is in the ICU.
• His high school reunion is coming around.
• Your best friends are celebrating their tenth anniversary.
• Thanksgiving is next week.
• Christmas is in two weeks.
• It’s the Super Bowl.
• Valentine’s Day.
• It’s his birthday tomorrow.
• The family is gathering for Easter.
• He just got the big promotion he’s been working towards.
• He had a really bad day; looks like he may be laid off.
• You had a really bad day and can’t face any more stress.
• The coast is finally clear but things perversely improve between you.

Really, it’s impossible to pick the right moment. There is no moment when a fair-minded referee would say, “Okay, commit your foul now.” There isn’t a morning when you wake up and your partner is standing there in a T-shirt that reads: if you break up with me right now, it won’t hurt me and won’t cause any trouble.

So what do many people do? They just pick any moment and strike. And that looks cold and cruel to the other person and to the world.

Or they wait till a fight erupts, till they’re so mad at the other person that they don’t give a damn. That would take care of it.

Or they nurse the impulse, lock it in some inner jewel box, bring it out when they’re annoyed and finger it; it becomes a fantasy that gives relief during the bad times and is almost abandoned during the good times.

But not quite: there it remains in the box, creating a sort of permanent latent betrayal.


If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;) 
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KISSING GAMES


One wonders at the prevalence of kissing games in this civilization. Games on the order of "Postoffice," "Kiss the Pillow" and innumerable others which have been devised for the jovial disports of lovers. In these games, because they are games, it is perfectly legitimate for two people to lass. In fact, in the game Postoffice" this kissing is encouraged behind closed doors where- the happy couple are alone in a room. The game is so widespread that comment in regard to the manner in which it is played would be extraneous here. But, what would make an excellent topping off for this booklet, would be a conjecture as to the reason for the prevalence of such games, even during the. dreaded Victorian times , when etiquette was so strict that the dictum was made forbidding the placing of a book by a female author next to a book written by a man!
These kissing games existed and shall continue to exist because man and woman must kiss. In fact, man is the only animal who uses the kiss to express his love and affection. Dogs, cats and bears lick their offspring. Horses and cows rub noses and necks. Birds nestle together.


But, only mankind kisses.
Only mankind has the reason, the logic, the happy faculty of being able to appreciate the charm, the beauty, the extreme pleasure, the joy, the passionate fulfillment of the kiss! Nature kisses, in her way, but nature hasn't the brains to profit from the kiss. Only man can do this.

Perhaps it would be appropriate to conclude this summary of the art of kissing with an excerpt from Shelley's immortal poem in which occur the following lines:
See the mountains kiss high heaven,
And the waves-clasp one another.
No sister flower would be forgiven
If it disdained its brother.
And the sunlight clasps the earth,
And the moonbeams kiss the sea;
What are are these kissings worth
If thou kiss not me?


If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;)
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KISSING UNDER THE MISTLETOE


Perhaps, in conclusion, it would be appropriate to make mention of a few kissing customs which have intrigued mankind. For instance, there is the rite of kissing under the mistletoe, at Christmas time.

The origin of this custom is uncertain. Suffice it to say, it must have been started by some woman because, in it, She rule is that if a woman is caught standing under a sprig of mistletoe, any man has the right to kiss her, peremptorily, without asking her permission or begging her pardon.

Here is one time when social convention doses its eyes to lover's delights. For then, you can seize hold of the girl with impunity and smack her to your heart's content without being socially ostracized for it.


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THE SURPRISE KISS


A most charming manner of kissing is called the "surprise kiss." This is performed when one of the parties has fallen asleep, on the sofa, let us say. On entering the room, when the other sees his lover asleep, he should tip-toe softly over to her.

Then, lowering his head slowly, he should implant a soft, downy, feathery kiss squarely on her lips. This first kiss should be a very light one. But, thereafter, the intensity of the kisses should increase until the sleeping one has awakened and, of course, even beyond that.



The effect of such an awakening to a sleeper is almost heavenly. For, while in the midst of a dream, a pleasant one, most likely, for it will concern the other half of the couple, she feels vaguely, faintly, as though it were the touch of a butterfly's wing, a subtle kiss on her lips. Naturally, in the depths of her sleep, she imagines that it is part of her dream and the result. is a pleasant sensation, indeed. Then, gradually, athough still asleep, she feels the kisses continue. And the pleasantness continues.

Then, as she starts to come out of her sleep, she realizes that the kisses are to real for a dream. But she is sure that she is dreaming. And so, immediately, a relapse from the happiness sets in and a twinge of sadness comes over her because she knows that, instead of being with her lover, she is only dreaming of him. Imagine, then, her extreme gratification, when, while thinking these drab thoughts, she feels the actuality of an intense, ardent kiss on her lips. Her heart flutters wildly. Her pulse runs riot. Perhaps she is not asleep, she argues to herself. Then she opens her eyes. And she sees the darling face f her beloved bending over her. And she feels the sensuous touch of his lips on hers.

Truly, no awakening can be more pleasurable!


If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;) 
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THE DANCING KISS


A very pleasant way to kiss is found in the "dancing kiss." Here, again, it is the closeness of the bodies of the participants that adds to the enjoyment. What more could a pair of lovers ask for than a dimly lighted dance floor, the tender, rhythmical strains of a waltz being played by Wayne King, their arms around each other, their eager young bodies kissing each other in a myriad of excitable places, the while, their cheeks meet in glowing, velvety strokes?

Naturally, in such situations, the rules of social etiquette w ill not allow the pair to enjoy an extremely appropriate "lip kiss." Although this can very easily be accomplished in the privacy of one's parlor while the radio is broadcasting the music. In fact, the "electric kiss" can be ideally performed under these circumstances.


But, when dancing in a public place, the only kisses allowed would be those surreptitious ones stolen under the straying eye of the chaperone. Under the pretense of whispering pretty nothings into your partner's shell of an ear, allow your lips to touch her earlobe, her cheek and her chin.

A few covert eye-kisses, perhaps, can be stolen in this manner, too. But, these stolen sweets should suffice the happy couple until they return home,. Then, stimulated by the forepleasure of these previous non-lip kisses, the pair can indulge in all the variations listed in this booklet, to their hearts' and their lips' content.

The while they recall, perhaps, those lines from Sir John Suckling's "Ballad of a Wedding," which went:
Oh, they sudden up -and rise and dance;
Then sit again, and sigh, and glance;
Then dance again, and kiss.

If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;)
----------------------------------------------------------------------------------------------------------------------------------------------------------------- DISCLAIMER:Some of the photos, links, articles are not owned by the site, and/ or not being stored by the site.Comments are views expressed by the readers. www.lovelifediaries.blogspot.com may not be held liable for the views of readers exercising their right of freedom to express.If you think we should remove those aforementioned elements due to copyright infrequent, feel free to tell us, and we will comply.

ELECTRIC KISSING PARTIES


Some few years ago, a very peculiar kissing custom arose which deserves mention here because, from it, we can learn how to adapt the method to our modem devices. At that time, when young people got together, they held, what was then known as, "electric kissing parties." Young people are ever on ' the outlook for novel ways of entertaining themselves. In fact, when ether was first developed as an anesthetic, the young bloods of the town used to form "ether-sniffing" parties in which they got a perfectly squiffy ether "jag." But to return to the "electric kisses." An excerpt from a contemporary writer will, perhaps, give us some idea of what happened.

"The ladies and gentlemen range themselves about the room. In leap year the ladies select a partner, and together they shuffle about on the carpet until they are charged with electricity , the lights in the room having been first turned low. Then they kiss in the dark; and make the sparks fly for the amusement of the onlookers."


The same sort of experiment could be performed nowadays, on cold, dry nights when the air is overloaded with electricity. But be certain that neither you nor your partner touches each other after shuffling furiously on the carpet with your feet. Merely lean over slowly and, when your lips are about half an inch apart, slow the process down even more until the spark jumps. However, considerable practice should be had before this kiss variation can be done successfully. The natural reaction to this sort of shock is to pull away from each other. But, try to resist this natural impulse because, if you do not kiss the moment after the shock has been perpetrated, the pleasure will be all gone.

Once you have practiced this for Some time, you will become so innured to the slight shock that you will seek more potent electric shocks. These can be obtained with the use of an electric vibrator or in fact, any device that is worked from a battery and a coil which steps up the weak 3 volts of the battery. Shooting galleries have electricity testing devices of this nature which have two handles. No matter what you use, the method is as following: first you take hold of one pole of the live wire, of the handle of the machine, if that is what you are using. Then, your partner should take hold of the other pole, or handle. This done, bring your lips together until there is about an eighth of an inch separating your lips. At this moment, turn the rheostat that increases the current. As soon as the charge is strong enough, a sudden, intense spark will jump the gap of your lips. Again, learn not to flinch but to seize hold of the opportunity of bringing your lips together in a grand, climactic kiss. The advantage of this, method is that you can regulate the electrical charges go that, when you become innured to one strength, you can increase the current almost indefinitely.

A word of warning, however, is apropos here. Be satisfied with the current generated by this battery set. Don't be like a young friend of mine who discovered that the battery set, even at its highest output, was too weak for him and his partner. Being of an experimental nature, he decided to see what would happen were he to use the ordinary house current as the electrical stimulus. And so, together with his partner, he placed himself in front of an electric wall outlet into which he had screwed a plug and a wire whose end had been, frayed so that the two wires were separated.

Taking hold of one wire, he advised the girl to take hold of the other., Then, using the usual "electric-kiss" technique, he bent over and started to bring his lips slowly towards the girl's lips. He got as far as about half an inch from her lips, and that's all. Because, a moment later, he saw a blinding flame sear across his eyes and he felt an enormous blow jolt him off his feet. When he came to enough to realize where he was, he found himself asprawl on the floor, his girl friend in a similar position a few feet away. The result was a pair of burned lips and a combined determination to stick to the old fashioned way of kissing.

The burned lip will always spurn the flame.



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VARIATION, KISSES ARE THE SPICE OF LOVE


A variation of the "lip-kiss" can be performed very nicely. Instead of pressing the lips together at one spot, start at one corner of the mouth and brush your closed lips across the entire mouth. A variation of this, in turn, is to part your lips slightly and, with the tip of your tongue in the groove that separates the two lips, brush your lips from side to side. Naturally, additional variations to this last variation suggest themselves immediately to the aware practitioner of the kiss. In fact, to such a person there should come up hundreds of other variations to titillate and titivate the senses.


One such variation suggests itself. Technically, it is not exactly a variation but simply a variation in the technique of the ordinary "lip-kiss." It employs the use of the "delayed action" in its execution. The old story of the fox and the grapes which were tantalizingly dangled over his head is the foundation for the method. Simply, the procedure is this: just before lowering your lips for the kiss, instead of planting the kiss, draw your head back again. Then, hold your lips in readiness but do not-kiss. Hold this position for as long as possible the while you smile tantalizingly into the eyes of the girl. Finally, when both you and she can stand the suspense no longer, then lower your lips. Slowly, as slowly as you possibly can, and imprint the seal of-love onto the avid mouth of your loved one. After that, the technique calls for no specific action. Kissing, like loving, is instinctive.


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THE "NIP" KISS

Horace, another Roman, whose kissing proclivities have come down through the ages because of his love poems, also wrote something about the "nip-kiss" when he said:
Or on thy lips, the fierce, fond boy
Marks with his teeth the furious joy.

So you see, it is perfectly normal people, if you can call poets normal people, who indulge in the "pain kiss" and derive intense pleasure from it. Punishment, after all, can be more than painful.



For instance, in another poem, a poet says:
And if she dared her lips to pout,
Like many pert young misses,
I'd wind my arms her waist about
And punish her with kisses.

Naturally, in the "nip-kiss" the kisser is not supposed to open his mouth like the maw of a lion. and then sink his fangs into the delicate-flesh of the kissee. Ridiculous! The procedure is the same as the ordinary kiss except that, instead of closing your lips with the kiss, you leave them slightly. open and, as though you were going to nibble on a delicious tid-bit, take a playful nip into either the nape of the neck, the cheek or the lips. just a nip is enough. And the resultant pleasure, I assure you, will more than compensate for the slight inconvenience of pain.

Now there might be some of you who may wonder why such kissing subterfuges and substitutes are necessary. It is only that man is a questing animal. He is never satisfied with the ordinary and commonplace because the commonplace, after a time, becomes very boring. Not that I mean to infer that the usual "lip-kiss" is commonplace.. Absolutely not. The "lip-kiss," as I have mentioned before, is the piece de resistance, the main course in the "banquet of love" as the poet, Qvid, called it. But imagine a meal in which there were seven courses of filet mignon or seven courses of lobster. You'd get sick and tired of a tender filet after the third course, wouldn't you? And after the second lobster, you wouldn't be able to look a lobster in the eye, that is, providing a lobster has eyes. So you see why it is that if the lip-kiss were indulged in exclusively, you would reach a point where it would lose all of its rapturous savor.


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THE "PAIN" KISS


A while back, mention was made of the "Pain kiss." It is with this seemingly paradoxical pleasure that we shall deal with now. First of all, it is necessary to explain that, although an act can be painful, it can still be pleasurable. The explanation is merely another indication of the variability of human nature.

To begin, there are some people who derive an extreme pleasure out of being whipped or burned or beaten. There is no rational explanation for this strange, delight. The fact remains that they react pleasurably to pain. These people are called masochists. Similarly, there are other people who derive the same pleasure out of being the ones who inflict pain or perform the beating. Their abnormality, too, is inexplicable. They are called sadists.


The point is this: these people have these strange desires in extremes. But normal people have similar desires but they are not so strong. They are present only in minute degrees. That is why some of us deliberately uncover ourselves in cold weather or continue to pick at a sore tooth although the act pains us. It is for this reason that most of us are able to derive pleasure from the "pain kiss."

The "pain kiss" is simply a tiny bite, a love nip.

Catullus, who knew his kissing, if we are to judge from the many poems he left on the subject, once rote:
Whom wilt thou for thy lover choose?
Whose shall they call thee, false one, whose?
Who shall thy darted kisses sip,
While thy keen love-bites scar his lip?


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THE "EYELASH" KISS

A variation of this eye kiss can be practiced as a tender diversion.

After an intense period of "soul or "vacuum kissing" has been indulged in and both lovers lie back tiredly, looking into each other's eyes , the-young man should lean over the face of the girl.

But, instead of implanting his lips on hers, he should bring his cheek into direct contact with her cheek again.



Then, when this is done, he should lower his eyelash so that they enmesh with the eyelash of his partner. This, of course, is done one eye at a time. And when the enmeshing process is complete, each should gently raise and lower his or her eyelids.

The contact of the hair of the eyelash is one that is almost indescribable. Suffice it to say, it is a charming by-path in the meadows of love that is pleasant, provocative and yet not exhausting.



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THE "SPIRITUAL" KISS


For instance, there can be kisses exchanged merely in intense glances. A sort of "spiritual kiss" can pass between the adoring eyes of a pair of lovers.

The hot blooded Latin races know the power of such kisses. Their fiery temperaments are ever questing for new delights, for variations, for delightful and artful ways of adding to the pleasure of love.

There is a poem extant written by a young Spanish poet to his sloe-eyed, raven-tressed senorita. No doubt it was sung by him under her balcony while the romantic moon streamed down liquid beams. But the poem quite amply describes this point of kissing with things other than your lips.


Then she kisses with her eyelids,
Kisses with her arching eye-brows,
With her soft cheek softly rubbing,
With her chin and hands and fingers,
All the frame of Manuela,
All her blood and all her spirit,
All melt down to burning kisses.

There, Perhaps fifteen feet away from him, was the light of her love. Yet, by means of her eyes, she was able to kiss him so that their love continued to flower.


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THE "VACUUM" KISS

This time, when your eager lips have been deposited on the eager lips of the girl, try to vary the kiss. For instance instead of using the soul kiss, try what is known as the "vacuum kiss." Here you start off by first opening your mouth a. trifle just after you have been resting peacefully with closed lips. Indicate to your partner, by brushing her teeth with the tip of your tongue, that you wish for her to do likewise.

The moment she responds, instead of caressing her mouth, suck inward as though you were trying to draw out the innards of an orange. If she knows of this kiss variations your maid will act in the same way and withdraw the air from your mouth. In this fashion, in a very short while, the air will have been entirely drawn out of your mouths. Your lips will adhere so tightly that there will almost be pain, instead of pleasure. But it will be the sort of pain that is highly pleasurable. That may sound odd but, nevertheless, it is a fact. Pain becomes so excruciating as to become pleasure. This subject will be gone into very shortly in regard to what is known as the "bite kiss." But, at present let I us continue with the "vacuum kiss."


This kiss must, of necessity, last a comparatively short time. There is too much strain on the delicate mouth tissues and the muscles tire very easily. It is for that reason that this kiss should be shortened. However, there is a special technique to be used to terminating it. When you decide that you have had enough of it, don't suddenly tear your mouth away. At least, don't do it if there are other people present in the house. For, they will become startled by the sound of a loud report which will result if you act suddenly. Any vacuum when suddenly opened to air gives off a loud popping noise. The procedure is simply to open first a comer of your mouth. You will hear a faint hissing sound when this is done. Immediately, you will find the pressure in your mouth lessen. The muscles will relax and a delicious sense of torpor will creep over your entire body, giving it a lassitude that is almost beatific.

But that is not all.

To every large dinner, there is always added a dessert or a lagniappe which is a topping-off tid-bit of the evening. The same should apply to the "vacuum kiss." The minute you release Your lips, lift them' away from the tired lips of your lover. Then, without wasting a minute's time, gently, delicately, softly, sensitively, oh so lightly, lower your pursed lips and place a tiny little kiss into the almost bruised lips of the girl. It is this little act of sympathy and condolence that makes the tie between you all the more firm. It tells the girl that you know how she feels and that you sympathize with her.

While resting from the joy-laden adores of such a kiss, a few more variations are permissible and advisable. There should never be a let-down in a kissing session. Every moment must be filled with kisses. But they do not have to be kisses of the mouth. There are other kisses which, although they are not as satisfying as the lip kisses, still serve to keep the blood burning.


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PUT VARIETY INTO YOUR KISSES

It is with the last few lines of this poem that our next subject for discussion concerns itself. As was mentioned before, the true lover is not satisfied with only one or two contacts. He wants nothing to be held from him. It is for that reason that, when kissing a girl, after you have given sufficient time to the kissing of her lips, you should vary your kissing by diverting your zeal to other portions of her face. Robert Herrick, who wrote, many beautiful love lyrics in his day, has a poem which ideally synthesizes this idea of varied kisses.



In it he says:
It isn't creature born and bred
Between the lips all cherry-red;
It is an active flame that flies
First to the babies of the eyes;
Then to the cheek, the chin and ear;
It frisks and flies-now here, now there-
'Tis now far off, and then 'tis near;
Here and there and everywhere.

Let us say that you have raveled in a sweet, long kiss. Suddenly, you see your loved one's eyes close as though in a moment of weariness. Gently detach your lips from hers and raise them up to her closed eyelids. Drop a kisslet first on one eyelid and then on the other. Feel the rolling orb quiver under your lips. Then, when you have done this, run your lips down along the line of her nose, stopping at odd times to purse them into a tiny kiss. When you reach the wrinkle of her nostrils, bury your lips deeply into the curve and kiss little niblets into first one and then the other. If her eyes still are closed, repeat the process.

But return to the lips.

Never forget this important injunction, "Return to the lips," for they can never become satiated with love's ardent kisses. The little kisses that you have deposited on her eyes and her nose serve only to vary the Menu of love. They are but spice to the course of love's banquet which should always be the "lip kiss."


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THE FRENCH "SOUL" KISS

But don't stop at this.

Surely, there is more to your tongue than merely its tip. Probe further. Go deeper. Gently caress each other's tongues. For, in doing this, you are merging your souls. That is why this kiss was called the "soul" kiss by the French who were said to be the first people to have perfected it. The French have always been a liberal minded people. And, it is because of the fact that they dropped Puritanism many years ago, that they were able to perfect themselves in the art of love and, particularly, in the art of kissing.

Learn from the French.
Learn also from the Old Romans , especially Catullus, whose love poems to Lesbia have lived through the ages because of the sincerity of his passion and the genius of his ability to express his emotions in the form of beautiful poetry.



For it was Catullus who wrote:
"Then to those kisses add a hundred more,
A thousand to that hundred so, kiss on!
To make that thousand up to a million;
Treble this million, and when that is done,
Let's kiss afresh, as when we first begun."

Kisses cost nothing. So kiss on. There is one thing that you cannot take away from people and that is the ability to make love to each other. Despite the fact that the world suffered from a long depression, people continued to get married and they continued to have children. In fact, according to recently released figures, there were, more children born during the depression than there had been in good times. This means that, although married people did not have money, they still had themselves. They still had love. They still had the ability to kiss as they pleased and when they pleased and as often as they pleased.

Another poet asks:
What is a kiss? alack, at worst,
A single drop to quench a thirst,
Tho oft it proves in happier hour,
The first sweet drop of one long shower.
Because kisses cost nothing.

So kiss on. Keep on kissing. Rare old Ben Jonson realized this when he wrote that, if he had one wish, it would be that he could die kissing. But it is not only the robust and lusty poets, like Ben Johnson, who are gluttons for kisses. There has been attributed to John Ruskin, an old fogy of a philosopher if ever there was one, a request from him to a young lady friend of his that she "kiss him not sometimes but continually."

Still another poet wrote:
Kisses told by hundreds o'er;
Thousands told by thousands more.
Millions, countless millions then
Told by millions o'er again;
Countless as the drops that glide
In the ocean's billowy tide,
Countless as yon orbs of light
Spangled o'er the vault of night
I'll with ceaseless love bestow
On those cheeks of crimson glow,
On those lips so gently swelling,
On those eyes such fond tales telling.


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ENJOY THE THRILLS OF KISSING

But, don't be in a hurry! As in all matters pertaining to love, don't hurry the process of kissing. A kiss is too rapturous a thing to be enjoyed for the moment and the moment only. Linger longer on her lips than you have ever lingered before. Forget time. Forget everything but the kiss in which you are in the midst of. Don't be like that bashful young lover who, after a sweet, long kiss, drew his lips away from the lips of his charmer. Immediately, she burst out into tears.

"What's the matter?" he asked solicitously.
"You don't love me I" she said between sobs.
"But I do!"
"Then why did you draw your lips away?"
"I couldn't breathe," he said naively.



Breathe? Who wants to breathe, who even wants to think of breathing in the middle of an impassioned kiss? Breathe through your nose if you have to breathe. But kiss, keep on kissing, as long as there is one minute of breath in you. Kiss, as Byron said we should kiss, with the "long, long kiss of youth and love."

Recently, in Chicago, there was held a marathon kissing contest to determine which couple could hold their kiss the longest without being forced to separate. One pair was able to hold their kiss for fifteen hours. Think of that! Fifteen hours. And yet the naive lad stopped kissing because be couldn't breathe.

Elizabeth Barrett Browning must have spent many an ecstatic night of kissing with the poet, Robert Browning, if we are to judge from an excerpt from her "Aurora Leigh," in which she described a kiss as being "As long and silent as the ecstatic night."

Another poet, unknown, but certainly one who knew whereof he speaks, wrote the following poem which deserves to be quoted in its entirety.

Oh, that a joy so soon should waste,
Or so sweet a bliss as a kiss
Might not forever last!
So sugared, so melting, so delicious.
The dew that lies on roses,
When the morn herself discloses,
Is not so precious.
Oh, rather than I would it smother
Were I to taste such another.
It should be my wishing
That I might die kissing.

At this point, it should be explained that the lips are not the only part of the mouth which should be joined in kissing. Every lover is a glutton. He wants everything that is part of his sweetheart, everything. He doesn't want to miss a single iota of her "million-pleasured joys" as Keats once wrote of them. That is why, when kissing, there should be as many contacts, bodily contacts, as is possible.

Snuggle up closely together. Feel the warm touch of each other's bodies. Be so close that the rise and fall of each other's bosoms is felt by one another.

Get next to each other.

And, this same thing applies to the mouth in kissing. Don't be afraid to kiss with more than your lips. After your lips have been glued together for some time, open them slightly. Then put the tip of your tongue out so that you can feel the smooth surface of your kissee's teeth. This will be a signal for her to respond in kind. If she is wholly in accord with you, if she is, truly, your real love-mate, then you will notice that she, too, has opened her lips slightly and that, soon, her teeth will be parted. Then, if she is all that she should be, she should project the tip of her tongue so that it meets with the tip of yours.

Heaven will be in that union!

Lava will run through your veins instead of blood. Your breath will come in short gasps. There will rise up in you an overpowering, overwhelming surge of emotion such as you have never before experienced. If you are a man, you will clutch the shoulders of your loved one and sense a shudder course through you that makes you pant. If you are a woman, and being kissed, you will feel a strange languor passing through your limbs, your entire body. A shudder will go through you. You will moan in the delicious transports of love. And, in all probabilities, you will go faint because the blood in your veins will be rushing furiously into your entire system and away from your head. Thus, you will be unable to think any longer. You will only be able to feel, to feel the most exquisite of pleasures that it has been your lot to feel.


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HOW TO KISS GIRLS WITH DIFFERENT SIZES OF MOUTHS

Another question which must be settled at this time concerns the size of the kissee's mouth. A consideration of this factor is important. Where the girl's mouth is of the tiny, rosebud type, then one need not worry about what to do. Merely follow the directions as they were outlined above. However, there are many girls whose lips are broad and generous', whose lips are on the order of Joan Crawford's, for instance.. The technique in kissing such lips is different.

Different Sizes of Mouths Require a Different Technique in Kissing.
For, were one to allow his lips to remain centered, there would be wide expanses of lips, untouched and, therefore, wasted. In such cases,. instead of remaining adhered to the center of the lips, the young man should lift up his lips a trifle and begin to travel around the girl's lips, stopping a number of times to drop a firm kiss in passing. When you have made a complete round of the lips, return immediately to the center bud and feast there. Feast there as did that lover of Fatimas, in Tennysen's poem, in which it was written that: "Once he drew, with one long kiss, my whole soul through my lips-as sunlight drinketh dew."


Then, sip of the honey.
Like the bee that settles on the fragrant pistils of a flower, and sips in the nectar for honey, so should you sip in the nectar from between the lips of your love. And it is nectar. For there is in this mingling a symbol of the holy communion o f the spirits of two soul-mates, joined together in the bonds of an indissoluble love.

It was a kiss such as this which caused the writer of an old German novel to write:
"Sophia returned my kiss and the earth went from under my feet; my soul was no longer in my body; I touched the stars; I knew the happiness of angels!"


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THE TECHNIQUES OF KISSING

Now is your chance! The moment you feel the tip of your nose touch her scalp, purse your lips and kiss her, the while you inhale a deep breath of air that is redolent with the exquisite odor of her hair. It is then but a few inches to her ear. Touch the rim of her ear with your lips in a sort of brushing motion. Breathe gently into the delicate shell. Some women react passionately to this subtle act. Brush past her here in this way again and note her reaction. If she draws her head away, return to her hair and sniff luxuriously of it. Then settle back to her ear, the while you murmur "sweet, airy nothings" into it. From the ear to her neck is but another few inches... Let your lips traverse this distance quickly and then dart into the nape and, with your lips well pursed, nip the skin there, using the same gentleness as would a cat lifting her precious kittens.



Then, with a series of little nips, bring your lips around from the nape of her neck to the curving, swerve of her jaw, close to the ear. Gently kiss the lobe of her ear. But be sure to return to the tender softness of her jaw. From then on, the way should be clear to you. Nuzzle your lips along the soft, downy expanse until you reach the comer of her lips. You will know when this happens because, suddenly, you will feel a strange stiffening of 'her shoulders under your arm. The reason for this is that the lips constitute one of the main erogenous zones of the body. The nerve ends in it are so sensitive that the slightest contact with them sends a pleasurable thrill immediately through the nervous system, through the medulla portion of the brain, back through the nervous system again, through branches which connect up with motor nerves, in this case the nerves that control the sphincter muscles of the mouth and lips, and the sexual glands which were mentioned before.

In plain English, the kissee knows she is to be kissed.
Alright. You have subtly kissed the corner of her mouth. Don't hesitate. Push on further to more pleasurable spots. Ahead of you lies that which had been promised in your dreams, the tender, luscious lips of the girl you love. But don't sit idly by and watch them quivering.

Act!
Lift your lips away slightly, center them so that when you make contact there will be a perfect union. Notice, only momentarily, the picture of her teeth in her lips. And, then, like a sea-gull "swooping gracefully down through the air," bring your lips down firmly onto the lips of the girl who is quivering in; your arms.

Kiss her!
Kiss her as though, at that moment, nothing else exists in the world. Kiss her as though your entire life is wrapped up into the period of the kiss. Kiss her as though there is nothing else that you would rather be doing. Kiss her!

At this point, it is necessary for us to discuss a few subjects which are germane to the art of kissing, particularly in so far as they apply to what has just been described. For instance, there has been raised quite a full in regard to whether one should close one's eyes while kissing or while being kissed. Personally, I disagree with those who advise closed eyes. To me, there is an additional thrill in seeing, before my eyes, the drama of bliss and pleasure as it is played on the face of my beloved. I can see tiny wrinkles form at the comers of her eyes, wrinkles of joy. I can see fleeting spasms of happiness flit across her eyes. I can see these things and, in seeing them, my pleasurable reactions to the kiss are considerably heightened. In keeping my eyes open, I am giving pleasure not to one sense alone, the sense of touch, but to two senses, the senses of touch and of sight. These two, coupled with the sense of smell which is actuated by the perfume of her breath, all combine to make the kiss an exquisite, ineffable epitome of unalloyed bliss.


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DIFFERENT KINDS OF KISSES

The dictionary says that a kiss is "a salute made by touching with the lips pressed closely together and suddenly parting them." From this it is quite obvious that, although a dictionary-may know something about words, it knows nothing about kissing.

If we are to get the real meaning of the word kiss, instead of going to the old fogies who compile dictionaries, we should go to the poets who still have the hot blood of youth coursing in their veins. For, instance, Coleridge called a kiss, "nectar breathing." Shakespeare says that a kiss is a "seal of love." Martial, that old Roman poet who hid ample opportunity to do research work on the subject, says that a kiss was "the fragrance of balsam extracted from aromatic trees; the rise odor yielded by the teeming saffron; the perfume of fruits mellowing in their winter buds; the flowery meadows in the summer; amber warmed by the hand of a girl; a bouquet of flowers that attracts the bees."


Yes, a kiss is all of these ... and more.

Others have said that a kiss was: the balm of love; the first and last of joys; love's language; the seal of bliss; love's tribute; the melting sip; the nectar of Venus; the language of love.

Yes, a kiss is all of these . . . and more.
For a kiss can never be absolutely defined. Because each kiss is different from the one before and the one after. just as no two people are alike, so are no two kisses alike. For it is people who make kisses. Real, live people pulsating with life and love and extreme happiness.

Of course, there are different kinds of kisses. For instance, there is the kiss that the devout person implants on the ring of the Pope. There is the maternal kiss of a mother on her child. There is the friendly kiss of two people who are meeting or are separating. There is the kiss that a king exacts from his conquered subjects. But although all of these are called kisses, they are not the kisses that we are going to concern ourselves.

Our kisses are going to be the only kind of kisses worth considering the kisses of love.

The kiss, perhaps, that Robert-Bums had in mind when he wrote:
Honeyed seal of soft affections,
Tenderest pledge of future bliss,
Dearest tie of young connections,
Love's first snowdrop, virgin kiss.

The amazing thing about the kiss is that although mankind has been kissing ever since Adam first turned over on his side and saw Eve lying next to him, there has been practically nothing written on the subject. Every year, hundreds of books are published telling you how to reduce, how to gain, how to get a job, how to cook, how to write and even how to live. But, on the art of kissing, very little has been written.

One reason for this lack of proper instruction is accounted for by the Victorian sense of morals which has persisted through the ages. To the blue-nosed Puritans of the past anything that concerned love was dirty, pornographical. John Bunyan's writings show what these, Puritans thought of' the kiss. He wrote in big infamous "The Pilgrim's Progress," "the common salutations of women I abhor. It is odious to me in whomsoever I see it.

When I have seen good men salute those women that they have visted, or that have visited them, I have made my objections against it; and when they have answered that it was but a piece of civility, I have told them that it was not a comely sight. Some, indeed, have urged the holy kiss; but then, I have asked them why they make their balks; why they did salute the most handsome and let the ill-favored ones go." Perhaps old Bunyan thought that way because be was one of the "ill-favored" who went unkissed and were let "go."
But, nowadays, people have taken a broader outlook on life. Our plays are becoming more civilized and less stiff. Our arts are no more censored by laws. Birth-control, divorce and the science of marriage are common subjects for books. Even the strange vices of mankind are brought out into the open and discussed and not allowed to fester in the dark chambers of censorship. Yes, books like Van de Velde's "Ideal Marriage" and Stope's "Married Love" Ire openly sold in bookstores.

But, nowhere, do we find a book which instructs people in the art of kissing, an art which is an absolute essential to a happy life, as we shall discuss in the oncoming pages of this book. Is it because we are not absolutely freed from the shackles of prudishness? In certain parts of this country, men have been arrested for kissing their wives on the street! Is this civilization?

It is going to be a manual of the kiss. In it we are going to discuss the most approved methods of kissing, the advantages of certain kinds and, with the disadvantages of others, the mental and physical reactions of kissers, historical episodes of kissing together with examples from the literature of the world in which kisses were the subject. So, gird up your loins, pucker up your lips and let's to the kissing arena!


If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;) 
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DISCLAIMER:Some of the photos, links, articles are not owned by the site, and/ or not being stored by the site.Comments are views expressed by the readers. www.lovelifediaries.blogspot.com may not be held liable for the views of readers exercising their right of freedom to express.If you think we should remove those aforementioned elements due to copyright infrequent, feel free to tell us, and we will comply.

HOW TO APPROACH A GIRL

In kissing a girl whose experience with osculation is limited, it is a good thing to work up to the kissing of the lips. Only an arrant fool seizes hold of such a girl, when they are comfortably seated on the sofa, and suddenly shoves his face into hers and smacks her lips.

Naturally, the first thing he should do is to arrange it so that the girl is seated against the arm of the sofa while he is seated at her side. In this way, she cannot edge away from him when he becomes serious in his attentions. This done, on some pretext or another, such as a gallant attempt to adjust the cushions behind her, he manages to insinuate his arm, first around the back of the sofa and then, gradually, around her shoulders. If she flinches, don't worry.



If she flinches and makes an outcry, don't worry. If she flinches, makes an outcry and tries to get up from the sofa, don't worry. Hold her gently but firmly, and allay her fears with kind, reassuring words. Remember what Shakespeare said about "a woman's no."

However, if she flinches and makes an outcry, a loud, stentorian outcry, mind you, and starts to scratch your face, then start to worry or start to get yourself out of a bad situation. Such girls are not to be trifled with ... or kissed. It is such as they, in most cases, who still believe the story of the stork which brings babies because of the consequences of a kiss.

But if your arm is comfortably reposed across the girl's shoulders and "all's right with the world" then your next step is to flatter her in some way. All women like to be flattered. They like to be told they are beautiful even when the mirror throws the lie back into their ugly faces.

Flatter her!

Catullus once wrote:
Kiss me softly and speak to me low;
Trust me darling, the time is near,
When we may live with never a fear
Kiss me dear!
Kiss me softly, and speak to me law
Tell her she is beautiful!

Then, take a deep sniff of the perfume in her hair and comment on it. Tell her that the odor is like "heady wine." Tell her that her hair smells like a garden of roses. Tell her anything, but be sure to tell her something complimentary. This done, it is only a natural thing for you to do to, desire to sink your nose deeper into her hair so that you can get the full benefit of its bouquet.


If you want to submit articles, poems, love stories, love letters, write ups you like to share to us and to the world. Kindly email us at authorsviewpoint@gmail.com We will email you back once it is up on our site with credits and feature you as the author of the month. Continue supporting www.lovelifediaries.blogspot.com Thank You my Loves! ;) 
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DISCLAIMER:Some of the photos, links, articles are not owned by the site, and/ or not being stored by the site.Comments are views expressed by the readers. www.lovelifediaries.blogspot.com may not be held liable for the views of readers exercising their right of freedom to express.If you think we should remove those aforementioned elements due to copyright infrequent, feel free to tell us, and we will comply.

My Beautiful Distraction